Earlier, Donatello created a marble version of David (1408-1409), which introduced a new approach to the subject, depicting David as a military hero and a slayer of tyrants. Conquer, o citizens!”.ĭepictions of a triumphant David were rare in 14th-century Italian art. God crushes the wrath of an enormous foe. Later scholars discovered that the statue was once accompanied by an inscription: “ The victor is whoever defends the fatherland. Given this, the majority of scholars agree that the sculpture was commissioned by Cosimo de’ Medici for the courtyard of the Medici Palace. The first mention of the statue stated that it was located in the courtyard of the Medici Palace in 1469. The suggested dates of creation range from the 1420s to the 1460s however, most scholars believe the date to be around 1440. Scholars have vigorously debated many aspects of the statue: its date, original location, and the underlying meaning behind the style and iconography. David’s triumph, made possible through God’s help, symbolizes good conquering evil. The sculpture refers to the biblical story of the young and untrained David bringing down Goliath, the giant, and the strongest Philistine warrior. 1440) at the Museo Nazionale del Bargello in Florence is Donatello’s most recognizable and celebrated work.
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